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别妄想泡我
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2020年07月29日 22:47
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电极是什么-盘牙
（1）
E-C 汉译英
在巴黎，名目繁多的酒会，冷餐会是广交朋友的好机会。在这种场合陌生人相识，如果是亚洲人，他们往往开口之前先毕恭毕敬地用双手把自己的名片呈递给对方，这好像是不可缺少的礼节。然而，法国人一般却都不大主动递送名片，双方见面寒暄几句，甚至海阔天空聊一番也就各自走开，只有当双方谈话投机，希望继续交往时，才会主动掏出名片。二话不说先递名片反倒显得有些勉强。
参考译文：
In Paris, cocktail parties and buffet receptions of different kinds offer great opportunities for making friends. On such occasions, strangers may get to know each other. If they are Asians, they will, very respectfully and with both hands, present their calling cards to their interlocutors before any conversation starts. This seems to be the required courtesy on their part. The French, however, usually are not so ready with such a formality. Both sides will greet each other, and even chat casually about any topic and then excuse themselves. Only when they find they like each other and hope to further the relationship will they exchange cards. It will seem very unnatural to do so before any real conversation gets under way.
(2) E-C英译汉
原文：It should have been easy. They were battle-tested veterans with long ties to Reagan and even longer ties to the Republican party, men who understood presidential politics as well as any in the country. The backdrop of the campaign was hospitable, with lots of good news to work with: America was at peace, and the nation’s economy, a key factor in any election, was rebounding vigorously after recession. Furthermore, the campaign itself was lavishly financed, with plenty of money for a top-flight staff, travel, and television commercials. And, most important, their candidate was Ronald Reagan, a president of tremendous personal popularity and dazzling communication skills. Reagan has succeed more than any president since John F. Kennedy in projecting a broad vision of America – a nation of renewed military strength, individual initiative, and smaller federal government.
参考译文：这应该不是件难事。这都是些跟着里根多年、久经沙场的老将，他们跟共和党则有更深厚的渊源，是这个国家里最熟悉总统政治的人。竞选的背景也很有利，也很多好消息可供炒作。例如，美国上下一片和平，美国经济这一竞选要素也在经过一段时间的衰退之后开始强劲反弹。此外，这次竞选本身得到了慷慨资助，因此有充裕的资用于组织一流的竞选班子、支付巡回演讲和电视广告的费用。而最重要的一点是，他们的候选人是罗纳德?里根，他可是位极具个人魅力和沟通技巧的总统。自约翰?F?肯尼迪总统以来，里根是最成功地勾勒出美国蓝图的总统：一个军
事力量复兴、富有个人进取心、联邦政府得以精简的国家。 (3)C-E： 汉译英
来美国求学的中国学生与其他亚裔学生一样，大多非常刻苦勤奋，周末也往往会抽出一天甚至两天的时间去实验室加班，因而比起美国学生来，成果出得较多。我的导师是亚裔人，嗜烟好酒，脾气暴躁。但他十分欣赏亚裔学生勤奋与扎实的基础知识，也特别了解亚裔学生的心理。因此，在他实验室所招的学生中，除有一名来自德国外，其余5位均是亚裔学生。他干脆在实验室的门上贴一醒目招牌：“本室助研必须每周工作7天，早10时至晚12时，工作时间必须全力以赴。”这位导师的严格及苛刻是全校有名的，在我所呆的3年半中，共有14位学生被招进他的实验室，最后博士毕业的只剩下5人。1990年夏天，我不顾别人劝阻，硬着头皮接受了导师的资助，从此开始了艰难的求学旅程。
参考译文：
Like students from other Asian countries and regions, most Chinese students who come to pursue their further education in the United States work on their studies most diligently and assiduously. Even on weekends, they would frequently spend one day, or even two days, to work overtime in their laboratories. Therefore, compared with their American counterparts, they are more academically fruitful. My supervisor is of Asian origin. He is addicted to alcohols and cigarettes, with a sharp/irritable temper. Nevertheless, he highly appreciates the industry and the solid foundational knowledge of Asian students and has a particularly keen insight into what Asian students have on their mind. Hence, of all the students recruited into his laboratory, except for one German, the other five were all from Asia. He even put an eye-catching notice on the door of his lab, which read, “All the research assistants of this laboratory are required to work 7 days a week, from 10:00 a.m. to 12:00 p.m.. Nothing but work during the working hours.” This supervisor is reputed on the entire campus for his severity and harshness. During the 3 and a half years that I stayed there, a total of 14 students were recruited into his laboratory and only 5 of them stayed until they graduated with their Ph.D. degrees. In the summer of 1990, ignoring the dissuasions from others, I accepted my supervisor’s sponsorship and embarked on my difficult journey of academic pursuit.
(4)E-C英译汉：
Opera is expensive: that much is inevitable. But expensive things are not inevitably the province of the rich unless we abdicate society’s power of choice. We can choose to make opera, and other expensive forms of culture, accessible to those who cannot individually pay for it. The question is: why should we? Nobody denies the imperatives of food, shelter, defence, health and education. But even in a prehistoric cave, mankind stretched out a hand not just to eat, drink or fight, bu
t also to draw. The impulse towards culture, the desire to express and explore the world through imagination and representation is fundamental. In Europe, this desire has found fulfillment in the masterpieces of our music, art, literature and theatre. These masterpieces are the touchstones for all our efforts; they are the touchstones for the possibilities to which human thought and imagination may aspire; they carry the most profound messages that can be sent from one human to another.
参考译文：
聆听歌剧，无疑昂贵至极。但是，昂贵的事物并非必定属于富人的范畴，除非我们放弃社会的选择权。我们可以选择去使歌剧以及其他某些昂贵的文化形式也能为那些不具备个人支付能力的人所享受。但问题是，我们有必要这么做吗？没人会否认食物、居所、防护、健康与教育的不可或缺性。但即便是在史前时代的洞穴中，人类伸出手来，早就不单纯是为了吃、喝或搏杀，而且亦进行绘画创作。人类对于文化的冲动，通过形象思维和再现手段来表现并探索世界的欲望，乃亘古有之。在欧洲，这一欲望在我们的音乐、艺术、文学和戏剧杰作中寻找到了其实现形式。这些杰作构成了我们全部努力的试金石。作为试金石，它们能衡量出人类的思想和想象力所可能企及的程度。它们携带着最寓意深刻的主题，可在人类彼此间相互传递。
(5)E-C英译汉： To speak of American literature, then, is not to assert that it is completely unlike that of Europe. Broadly speaking, America and Europe have kept step. At any given moment the traveler could find examples in both of the same architecture, the same styles in dress, the same books on the shelves. Ideas have crossed the Atlantic as freely as men and merchandise, though sometimes more slowly. When I refer to American habit, thoughts, etc., I intend some sort of qualification to precede the word, for frequently the difference between America and Europe (especially England) will be one of degree, sometimes only of a small degree. The amount of divergence is a subtle affair, liable to perplex the Englishman when he looks at America. He is looking at a country which in important senses grew out of his own, which in several ways still resembles his own — and which is yet a foreign country. There are odd overlappings and abrupt unfamiliarities; kinship yields to a sudden alienation, as when we hail a person across the street, only to discover from his blank response that we have mistaken a stranger for a friend.
参考译文：那么，要谈论美国文学，倒并非意欲断言，它与欧洲文学全然大相径庭。广而言之，美国与欧洲一直同步发展，协调一致。在任何一个特定的时刻，旅行者在两地均能目睹同一样式的建筑实例，相同款式的服饰，书架上相同的书籍。在大西洋两岸，思想如同人员与货
物往来一样自由交流，尽管有时会略显迟缓。当我提及美国式的习惯、思想等概念时，我意欲在“美国式的”这一词汇之前加上某种限定，因为欧美（尤其是英美）之间的差异往往只是程度上的差异而已，并且有时候仅仅只是微乎其微的一点程度差异而已。差异的多寡是件极为微妙的事务，这极容易使一个英国人在审视美国时大惑不解。他所审视的那个国家，从某些重要的意义上来说，诞生于他自己的国家，并在某些方面仍与他自己的国家相差无几——然而，它却实实在在是一个异邦。两者间存在着某些古怪的交替重迭，以及令人甚感突兀的陌生感；亲缘关系已让位于一种突如其来的异化与疏远，这种情景仿佛就像我们隔着马路向另一个人打招呼，结果却从这个人漠无表情的反应中发现，我们原来竟将一个陌生人误认为我们的熟人。
(6)英译汉:If people mean anything at all by the expression "untimely death", they must believe that some deaths run on a better schedule than others. Death in old age is rarely called untimely---a long life is thought to be a full one. But with the passing of a young person, one assumes that the best years lay ahead and the measure of that life was still to be taken.
History denies this, of course. Among prominent summer deaths, one recalls those of Marilyn Monroe and James Deans, whose lives seemed equally brief and complete. Writers cannot bear the fact that poet John Keats died at 26, and only half playfully judge their own lives as failures when they pass that year. The idea that the life cut short is unfilled is illogical because lives are measured by the impressions they leave on the world and by their intensity and virtue.
参考译文：如果人们藉"英年早逝"这一字眼真的意欲表达什么含义的话，他们必然相信某些人的辞世可以算是寿终正寝，而另一些人则"死不逢时" 。死于年迈很少被冠以"死不逢时"之名，因为能度过漫长的一生被认为是甚为圆满的。反之，如果所碰到的是一位年轻人之死，人们会以为这位年轻人风华正茂，前途无可限量，生命的倒计时尚未真正开始。
当然，历史否定这一切。在诸多较为著名的"英年早逝"的情形中，我们会忆起玛丽莲.梦露与詹姆斯.迪恩斯之死，其生命的短暂丝毫无损于其生命的完整性。对于约翰.济慈年方26便溘然长逝这一事实，文人墨客们皆痛不欲生，但他们中仅有半数人诙谐地认为，设若他们也死于这一年龄，其一生可视为失败。视英年早逝为不圆满，这一观念有悖于逻辑，因为衡量生命的尺度乃是留给世界的印记，是生命的力度及其美德。
(7)C-E：人是一个非常复杂的矛盾体。为了不受干扰地工作，常常要逃避世俗的热闹，可一旦长期陷入孤境，又感
到痛苦，感到难以忍受。
一般情况下，我喜欢孤独。
我的最大爱好是深思默想。我可以一个人长时间地独处而感到愉快。独享欢乐是一种愉快，独自忧伤也是一种愉快。孤独的时候，精神不会是一片纯粹的空白，它仍然是一个丰富多彩的世界。情绪上的大欢乐和大悲痛往往都在孤独中产生。孤独中，思维可以不依照逻辑进行。孤独更多地产生人生的诗情——激昂的和伤感的。孤独可以使人的思想向更遥远更深邃的地方伸展，也能使你对自己或环境作更透彻的认识和检讨。
当然，孤独常常叫人感到无以名状的忧伤。而这忧伤有时又是很美丽的。
我喜欢孤独。
但我也很惧怕孤独。
参考译文：My greatest avocation is musing. I can stay by myself for a long time without feeling disconsolate in the least. Happiness enjoyed alone is a pleasure, so is sorrow tasted privately. In solitude, the mind is not a complete blank; it remains a rich and colorful world. Solitude often induces ecstasy or anguish, and allows thinking to wander in a random way. She inspires the mood for poems, passionate of pathetic. She also enables people to think further and deeper and to have a more thorough understanding and examination of themselves and their environment.
（8）C-E：汉译英
简?奥斯丁的小说写的都是三五户人家居家度日，婚恋嫁娶的小事。因此不少中国读者不理解她何以在西方享有那么高的声誉。但一部小说开掘得深不深，艺术和思想是否有过人之处，的确不在题材大小。有人把奥斯丁的作品比作越嚼越有味道的橄榄。这不仅因为她的语言精彩，并曾对小说艺术的发展有创造性贡献，也因为她的轻快活泼的叙述实际上并不那么浅白，那么透明。史密斯夫人说过，女作家常常试图修正现存的价值秩序，改变人们对“重要”和“不重要”的看法。也许奥斯丁的小说能教我们学会转换眼光和角度，明察到“小事”的叙述所涉及的那些不小的问题。
参考译文：
But the depth of a novel and its excellence in artistic quality and ideological content can never be judged by the significance or “insignificance” of the theme. Austen’s works have been compared to olives, which become the more delicious the more you chew them. This is not only because of her witty language and her creative contributions to the development of the art of novel writing, but also because of her vivid and lively narration, which is by no means shallow or transparent. Mrs. Smith said that women writers often tried to rectify the prevalent values and the existing social order and to change people’s views as to what was important and what was unimportant.
（9）C-E：汉译英
脍炙人口的传统京剧《白蛇传》讲的是传自明朝的故事。白蛇精与青蛇精化作美女来到人间
。白蛇精与一位书生相爱并生一子。禅师法海认为他们的结合违反传统婚姻，伤风败俗，他气急败坏。于是他派神兵神将前来捉拿白蛇精，并将她镇压在一座塔下面。后来，青蛇精在深山中修炼，习武多年，终于砸烂了那座塔，救出白蛇精。至此，白蛇精与丈夫、儿子又得团聚。在《白》剧中，蛇被赋予了崇高的人性。
参考译文：
The White Snake, one of the most popular traditional Beijing operas, is based on a story handed down from Ming Dynasty (1368-1644). White Snake Spirit and Green Snake Spirit metamorphosed themselves into two beautiful girls and ventured into the human world. White Snake fell in love with a young scholar and gave birth to a son. Fahai, a Buddhist monk, regarded their union as a violation of the conventions regarding marriage and an example of moral degeneration. Much enraged, he sent officers and soldiers from the heaven, who captured White Snake, and using magical powers he himself incarcerated White Snake underneath a pagoda. For many years afterwards, Green Snake hid herself in deep mountains and gave herself rigorous spiritual and martial arts training. In the end she succeeded in toppling the pagoda and rescued her mistress. Now White Snake was reunited with her husband and son.
The snake in the opera is endowed with the noble character of human nature.
(10)E-C英译汉：
约翰?施特劳斯的故居在一条大街上，是一座沿街的粉红色的四层楼老公寓房子。施特劳斯曾住在这座房子二层楼上的两套房间里，于1986年末到1867年初在这里谱写了《蓝色的多瑙河》这支名曲。那时他已经42岁了，在维也纳音乐界中负有盛名，但只是在这支乐曲问世以后，才奠定了他“圆舞曲之王”的地位。这座房子距多瑙河不远，步行约半个多小时，当时还是一片大森林，施特劳斯常常穿过森林到河边去散步，现在房屋已鳞次栉比，成为热闹的大街了。
参考译文：The former residence of John Strauss is situated on a big street, inside an old pink-colored four-story apartment building along the street. Strauss lived in two suites on the second floor of this building in which he composed from the end of 1866 to the beginning of 1867 the famous The Blue Danube Waltz. At that time he was already 42 years old and enjoyed a high reputation within the musical circle of Vienna. However, it was not until the composition of this melody that he became firmly established as the King of Waltz. The house in which he lived was not far away from the Danube River, which was within the reach of half an hour’s walk. At that time, there was a huge forest between the river and his house and Strauss would frequently go through the forest to have a walk by the side of the river. Now the forest has been replaced by rows and rowsof densely adjacent houses and buildings, turning the place into noisy
streets.