对海明威的评价英文版
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对海明威的评价英文版
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对海明威的评价英文版篇一
Hemingway in the creation of a prominent
feature is the shape of a flesh and blood, the
distinctive character of
the image. Most of
these characters are soldiers, journalists,
bullfighters, hunters, fishermen, professional
boxers, etc., Hemingway
with a sincere heart
to love them, with a simple ink to praise them. In
them, the reader can see a group of
distinctive
character image. Hemingway's
protagonist is a typical character who has
created all his features according to his own
experience and created by
artistic processing.
Hemingway is an intuitionist, he believes that the
image of the art of life and soul lies in its
high degree of realism.
writer's job is to
tell the truth
with a sense of
straightforwardness, his novel themes are mostly
taken
from personal experience and personal
experience. As a teenager,
Hemingway was very
competitive. He was
if he did not get first in
a sport, he would give up that sport.
This
spirit is manifested in his short story undefeated
people
the old power failure of the bullfighter
Manuel in order to safeguard the
honor of the
past, regardless of the brutal exploitation of the
boss and
the companions of goodwill
discouraged, decided to play bullfighting .
In
the short life of
simply asked Wilson to
borrow the language of Shakespeare, saying
bluntly:
do not care at all, people can only
die once ... anyway this year,
finally endured
the test of morality and courage under violence,
his death
confirmed the dignity of his
personality, where the author strongly
praised
thetough guy of death, indomitable attitude
towards life.
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bite the bullet and not hum, humor and
humor to laugh freely, showing the
death of
the and thousand dollarsin the boxer
to hold
back the pain down the foul opponent, destroyed a
double hoax.
This flesh and blood fullness
of the characters are the lives of the
unfortunate and losers, but they are the
spirit of the strong and winners,
which is
popular in Europe and America so-called
II
Hemingway's creative career, the young Hemingway's
is invincible warrior, reflects the young
Hemingway's vigor and
indomitable enterprising
heart, and his later years of Hemingway's Tough
guy
willing to fail the spirit of the
winner. In his later years of the novel
the
seais particularly prominent. Santiago in The Old
Man and the Sea is Hemingway 's last tragic
hero and the final conclusion
of his tough
personality.
对海明威的评价英文版篇二 Ernest Hemingway
is a giant of modern
literature. Among
twentieth-century American fiction writers, his
work
is most often compared to that of his
contemporaries William Faulkner and
F. Scott
Fitzgerald. Combined with his outstanding short
stories,
Hemingway’s four major novels--The
Sun Also Rises (1926), A Farewell to
Arms
(1929), For Whom the Bell Tolls (1940), and The
Old Man and the Sea
(1952)--comprise a
contribution to modern fiction that is far more
substantial than Fitzgerald’s and that
approximates Faulkner’s.
Faulkner was
awarded the Nobel Prize in Literature a few years
before
Hemingway received this recognition,
but their respective approaches to
fiction are
so dissimilar that this belated receipt says
little or nothing
about Hemingway’s stature
relative to that of Faulkner. When set
alongside Faulkner’s Mississippi novels,
Hemingway’s major works
feature simpler
structures and narrative voicespersonae.
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As or more important,
Hemingway’s style, with its consistent use of
short, concrete, direct prose and of scenes
consisting exclusively of
dialogue, gives his
novels and short stories a distinctive
accessibility
that is immediately identifiable
with the author. Owing to the direct
character
of both his style and his life-style, there is a
tendency to
cast Hemingway as a
“representative” American writer whose work
reflects the bold, forthright and rugged
individualism of the American
spirit in
action.
His own background as a wounded
veteran of World War I, as an engaged
combatant in the fight against FascismNazism,
and as a “he-man” with
a passion for outdoor
adventures and other manly pursuits reinforce this
association.
But this identification of
Hemingway as a uniquely American genius
is
problematic. Although three of his major novels
are told by andor
through American men,
Hemingway’s protagonists are expatriates, and his
fictional settings are in France, Italy,
Spain, and later Cuba, rather
than America
itself.
While Hemingway’s early career
benefited from his connections with
Fitzgerald
and (more so) with American novelist Sherwood
Anderson, his
aesthetic is actually closer to
that shared by the transplanted American
poets
that he met in Paris during the 1920s; T. S.
Eliot, Ezra Pound, and,
most crucially,
Gertrude Stein. In this context, we must realize
that
Hemingway’s approach to the craft of
fiction is direct but never blunt
or just
plain simple.
Hemingway’s text is the result
of a painstaking selection process,
each word
performing an assigned function in the narrative.
These choices
of language, in turn, occur
through the mind and experience of his novels’
central characters whether they serve
explicitly as narrators of their
experience or
as focal characters from whose perspectives the
story
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unfolds. The
main working corollary of Hemingway’s “iceberg
principle”
is that the full meaning of the
text is not limited to moving the plot
forward: there is always a web of association
and inference, a submerged
reason behind the
inclusion (or even the omission) of every detail.
We note, too, that although Hemingway’s
novels usually follow a
straightforward
chronological progression as in the three days of
For Whom
the Bell Tolls, Hemingway does make
use of summary accounts of the past,
of
memories related externally as stories, and of
flashbacks. These
devices lend further depth
to his characters and create narrative
structures that are not completely
straightforward chronicles.
Hemingway is
direct. But he is also quite subtle, and subtlety
is not
a trait that we ascribe to the American
way. In the end, Hemingway is an
international
artist, a man who never relinquished his American
identity
but who entered new territories too
broad and too deep to fit within the
domain of
any national culture.
对海明威的评价英文版篇三
Hemingway was born in the United States,
from
childhood love of nature, like travel, watch the
Spanish
bullfight ... ... through a variety of
ways to exercise their ability to
live.
18-year-old on the war, he created a lot of his
life works, are based
on their own personal
experience. On one occasion, Hemingway was
distributing chocolate in the trenches, and a
shell exploded near him and
stunned him. When
he regained his intuition, he saw an Italian
wounded
so badly that he could not move. He
immediately put the man back in the
back, sent
to the first-aid shelter. At this point, his body
is blood,
the shoe was hit two holes. After a
medical examination, he suffered 227
injuries,
fortunately, no one in the hip above, so he ,
he risked his life once again came to the
battlefield interview, this kind
of spirit is
how valuable ah!
His repeated failures at
the time had cast a shadow over his own heart,
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but he remained
independent and unrelenting. Finally he won the
Nobel
Prize, won the attention of the Nobel
Prize in Literature. Of course, its
success is
by no means a flash in the pan, but with its high
degree of
creativity, in the history of human
literature inscribes a lasting
impression.
And we now live in a peaceful era, in the
excellent environment, why
not learn it? When
we face a little bit of frustration in life,
always
help parents, teachers, friends ... ...
why can not independent brave to
face it?
However, the reality is terrible. Some people live
with their
debauchery, do not give the
refugees a penny, only their own happiness,
regardless of the pain of others. Such people
live in the world is a
parasite, there is no
sense. Of course, some people all the year round
obscure service for the people, dedicated
their young life, they have long
been out of
the life and death. As Hemingway put it, a great
spirit
it is to die in the frail age, when the
illusion dies, not as a young man
dying in an
illusion of happiness, extinguished when the glory
is bright
and splendid.
Hemingway, a
writer, a Nobel Prize winner, a true hero of the
times.
Is he let me know how to shape
themselves, shape the future; he inspired
me
to create the spirit of self-improvement; he let
me know how to face
life!
This book let
me understand, although life is full of dangerous
and
painful, but we have to like a matador
suffering of life.
Comments:
writer
wrote the world's writers Hemingway's not do the
laity of the move;
also write their own life
in the future, no matter what kind of danger ,
Should be the same as Hemingway to do a
matador-like
the suffering of life, read to
inspire people.
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对海明威的评价英文
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