英国文学 名词解释
福建农林大学教务处-假期工资
1.(1) Modernism (现代主义)
A movement of
experiment in new techniques in writing. Modernist
fiction represented a trend drifting
away from
the tradition of the 19th century realism. It put
emphasis on the description ogoometimes it is
call
ed modern psychological fiction. Lawrence
is a typical representative of it
Realism（现实主义）
Realism was a loosely used
term meaning truth to the observed facts of life
（especially when they are
gloomy）。 Realism in
literature is an approach that attempts to
describe life without idealization or romantic
subjectivity.
Realism现实主义: An elastic
and ambiguous term with two meanings. (1) First,
it refers generally to
any artistic or
literary portrayal of life in a faithful, accurate
manner, unclouded by false ideals, literary
conventions, or misplaced aesthetic
glorification and beautification of the world. It
is a theory or tendency in
writing to depict
events in human life in a matter-of-fact,
straightforward manner. It is an attempt to
reflect
life
and more specifically,
realism refers to a literary movement that
developed out of naturalism in the
nineteenth
and twentieth centuries. Although realism and the
concern for aspects of verisimilitude have been
components of literary art to one degree or
another in nearly all centuries, the term realism
also applies more
specifically to the tendency
to create detailed, probing analyses of the way
really are,usually
involving an emphasis on
nearly photographic writers include such diverse
artists as Mark
Twain, Tolstoy, &Thomas Hardy.
Modernism（现代主义）: Around the two
world wars, many writers and artists began to
suspect and be
discontent with the capitalism.
They tried to find new ways to express their
understanding of the world. It
was a movement
of experiments in techniques in writing. It
flourished in the 20s and 30s in English
turned their interest to describing what was
happening in the minds of their characters.
Because of their emphasis on the psychological
activities of the characters, their writings are
also called
psychological novels. The
Representatives are W.B. Yeats and T.S. Eliot,D.H.
Lawrence, E.M. Foster, James
Joyce and
Virginia Woolf
Modernism: 1) The rise Of
modernism movement Modernism rose out of
skepticism and
disillusionment of capitalism,
which made writers and artists search for a new
ways to express their
understanding of the
world and the human nature. The French symbolism
was the forerunner of
modernism. The First
World War quickened the rising of all kinds of
literary trends of modernism, which,
toward the 1920s, converged into a
mighty torrent of modernist movement. The major
figures associated
with the movement were
Kafka, Picasso, Pound, Eliot, Joyce, and Virginia
Woolf. Modernism was
somewhat curbed in the
1930s. but after World War II, Varieties of
modernism, or post-modernism, rose
again with
the spur of Sarter’s existentialism. However, they
gradually disappeared or diverged into other
kinds of literary trends in the 1960s. 2) The
characteristics of modernism ●Modernism marks a
strong
and conscious break with the past, by
rejecting the moral, religious and cultural values
of the past.
●Modernism emphasizes on the
need to move away from the public to the private,
from the objective to the
subjective.
●Modernism upholds a new view of time by
emphasizing the psychic time over the
chronological one. It maintains that the past,
the present and the future are one and exist at
the same time in
the consciousness of
individual as a continuous flow rather than a
series of separate moments.
●Modernism is, in
many respects, a reaction against realism. It
rejects rationalism, which is the theoretical
base of realism; it excludes from its major
concern the external, objective, material world,
which is the only
creative source of realism;
it casts away almost all the traditional elements
in literature like story, plot,
character,
chronological narration, etc., which are essential
to realism. As a result, the works created by the
modernist writers can often be labeled as
anti-novel, anti-poetry or anti-drama
[22] Realism:（写实主义） A term used in literature
and art to present life as it really is without
sentimentalizing or idealizing it. Realistic
writing often depicts the everyday life and speech
of ordinary
people. This has led, sometimes to
an emphasis on sordid details.
Critical
Realism (批判现实主义) Critical realism is one of the
literary genres that flourished mainly
in the
19th century. It reveals the corrupting influence
of the rule of cash upon human nature. Here lies
the
essentially democratic and humanistic
character of critical realism. The English
critical realists of the 19th
century not only
gave a satirical portrayal of the bourgeoisie and
all the ruling classes, but also showed
profound sympathy for the common people. In
their best works, they used humor and satire to
contrast the
greed and hypocrisy of the upper
classes with the honesty and good-heartedness of
the obscure “simple
people” of the lower
classes. Humorous scenes set off the actions of
the positive characters, and the humor is
often tinged with a lyricism which serves to
stress the fine qualities of such characters. At
the same
time,bitter satire and grotesque is
used to expose the seamy side of the bourgeois
society. The critical realists,
however, did
not find a way to eradicate the social evils they
knew so well. They did not realize the
necessity of changing 4 the bourgeois
society through conscious human effort. Their
works do not
point toward revolution but
rather evolution or reformism. They often start
with a powerful exposure of the
ugliness of
the bourgeois world in their works, but their
novels usually have happy endings or an impotent
compromise at the end. Here are the
strength and weakness of critical realism. 批判现实主义是
盛行于19
世纪的文学流派之一，揭示了金钱控制一切对人性的恶劣影响，这正是19世纪批判现实主义
民主和
人文特点的根源。19世纪的英国批判现实主义者不但讽刺性地描述了资产阶级和其他统治阶级，
而
且表现了对普通大众的深切同情。在他们最好的作品中，他们利用幽默和讽刺的手法对比了上层阶级<
br>的贪婪和虚伪以及下层阶级普通大众的诚实和善良。幽默的场景伴随着正面人物的行动，但是这种幽
默略带了柔情的意味，强调了这些人物好的一面。同时，也用辛辣的讽刺和怪诞的风格来揭露资产阶
级
社会丑恶的一面。但是，批判现实主义者们并没有找到办法消除他们所熟知的社会罪恶，他们没有
意识到
通过人们有意识的努力来改变资本主义社会的必要性。他们作品中的主要倾向不是革命，而是
改革；在他
们的作品中，他们通常是在开始时强有力地揭示了资本主义世界的丑恶，最后只是提供一
个巧合的喜剧结
尾或者以无力的妥协来结束。在这里我们同时看到了批判现实主义的优点和弱点。
批判现实主义
Brief Introduction: A. Time –
flourishing in the forties and in the early
fifties, produced by the tense
class struggle
B. Idea – The critical realists described with
much vividness and great artistic skill the chief
traits of the English society and criticized
the capitalist system from a democratic viewpoint.
They criticized
the corrupting influence of
the rule of cash upon human nature C. Class nature
– bourgeois D.
Representatives – Dickens,
Thackeray E. Differences between 18th c realism
and 19th c critical realism --
profound
sympathy for the common people -- the broad
social conflicts over and above the fate of mere
individuals F. Artistic skills – humour and
satire (esp. by Dickens) G. Class limitation –
petty-bourgeois
reformism ii. Charles Dickens
(1812-1870) -- the greatest representative of
English critical realism
（1）Critical Realism
is the main trend of the literary thoughts in the
late 19th century. It reveals the
corrupting
influence of the rule of cash upon human nature.
Critical realists first and foremost set
themselves
the task of criticizing capitalist
society from a democratic viewpoint of bourgeoisie
reality. As far as the
literary form or
“genre” is concerned, the major contribution made
by the 19th century critical realists lies in
their perfection of the novels. Like the
realists of the 18th century, the 19th century
critical realists made use
of the form of
novel for full and detailed representations of
social and political events, and of the fate of
individuals and of whole social classes.
Realism’s emphasis is mainly on detachment,
objectively, and accurate observation, its lucid
but
restrained criticism of social
environment, and the humane understanding that
underlay its moral
judgments became an
integral part of the fabric of modern novel during
the height of that form’s
development, and
reproduce the truth of society objectively is the
most fundamental significance of realism
（2）What are the main characteristics of
the English critical realism?
English critical
realism of the 19th century flourished in the
forties and in the early fifties. The critical
realists described with much vividness and
artistic skill the chief trait of the English
society and criticized
the capitalist system
from a democratic viewpoint. The English critical
realists of the 19th century not only
gave a
satirical portrayal of the bourgeoisie and all the
ruling classes, but also showed profound sympathy
for the common people.
In their best
works, the greed and hypocrisy of the upper-
classes are contrasted with the honesty and
good-heartedness of the obscure “simple
people” of the lower classes. Hence humor and
satire abound in the
English realistic novels
of the 19th century. The critical realists of the
19th century did not, and, due to their
world
outlook, could not, find a way to eradicate social
evils.
Accuracy
Realism strives for
absolute accuracy in the depiction of its
subjects, devoid of any unnecessary dramatics
or artistic affectation. Realistic works
refrain from undue embellishment, aiming for a
natural (as opposed to
an artificial) tone.
Honesty
Realism seeks the depiction of
honesty, rather than hiding things behind
distortions or opinions. Unpleasant
facts or
images are presented as they are, as are plain or
unassuming details about the subject.
Independence
Philosophical realism
stresses the independence of objects from their
observer. They have a life and an
existence
separate from anything else, which will continue
regardless of anyone's thoughts on the matter.
Ordinariness
The subjects of realistic
works are defined not by their exceptional nature,
but by how ordinary they are.
Shopkeepers are
emphasized over military generals, for example, or
streetlamps over grandiose mountains.
Difficulties
Realistic protagonists are
often beset by great forces beyond their control--
the natural world, for instance,
or the
indifference of a larger society--and in many
cases they do not triumph in their struggle.
Unhappy
endings aren't universal in realistic
stories, but they are fairly common, while happy
endings often entail
compromise and pyrrhic
victories.
6. Plot
(1)Plot refers to the
structure of a story, (2) the plot of a literary
work includes the rising action， the
climax,
the falling action and the resolution. It has a
protagonist who is opposed by an antagonist
，creating
what is called conflict.
5. Point of View（叙述角度）
Point of
view can be divided by the narrator‘s relationship
with the character， represented by the
grammatical person： the first-person
narrative， the third-person narrative， and
omniscient narrator.